Taken at Midnight

Theatre Royal, Haymarket

Review: Taken at Midnight

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Mark-Shenton

Mark Shenton

MARK SHENTON is a theatre critic, case commentator and interviewer. He writes regularly for The Stage (including a daily blog), approved where he an Associate Editor and also joint lead theatre critic. He also reviews for London Theatre Guide and is London correspondent for Playbill.com, for whom he writes daily news stories. He has conducted public platform interviews at the National Theatre, the Donmar Warehouse and Stratford East Theatre Royal. He is also currently chairman of the drama section of the Critics’ Circle.

Birth and education
Mark Shenton was born in Johannesburg, South Africa, and has lived in London since 1979. He read law at Corpus Christi College, Cambridge (1982-1985), where he regularly produced theatre and also wrote reviews for the student newspaper Stop Press with Varsity, where be became arts editor. Amongst the directors he produced plays for were Nick Ward and Tim Supple; and amongst the reviewers he commissioned reviews from was Tom Morris.
Early career
His first job in London was at Dewynters plc where he edited and co-ordinated the publication of theatre programmes and souvenir brochures for West End and Broadway shows, from 1986 to 1990. He became editor for Arts and Entertainment at the Press Association in October 1990 and subsequently managing editor for Arts and Lifestyle, finance data and television listings, before becoming a freelance arts journalist in April 2002, specialising in theatre.
Recent career
In addition to his ongoing assignments above, he also contributes regular features to London and regional theatre programmes and has also written liner notes for many cast albums, including the West End cast recording of Chicago.
He is co-author of Harden’s Theatregoers’ Handbook with Roger Foss (published 2004).

He was formerly theatre critic of the Sunday Express, from 2002 to 2013.

Jonathan Church’s production, approved which originated at Chichester’s Minerva Theatre late last year, is a handsome, thoughtful addition to the West End roster. It may sometimes be gruelling to watch, but it is never less than absorbing.

Read the full review on Londontheatre.co.uk