January 7: How the National Theatre’s Travelex £10 season and NT Live were game changers Mark ShentonThursday January 7Include in homepage slide?, Thought of the dayLeave a Comment … Read More
January 6: Playwright Jeremy O.Harris pays it forward and theatre publicists face their own PR battle Mark ShentonWednesday January 6Include in homepage slide?, Thought of the dayLeave a Comment … Read More
January 5: Marcus d’Amico: What ever happened to Whoozis? Jonathan Bailey’s openness is a sign of a better future Mark ShentonTuesday January 5Include in homepage slide?, Thought of the dayLeave a Comment … Read More
January 4: When is Broadway likely to return? What’s going to happen to the transfers of Six and Company? And is Ratatouille: The TikTok Musical the future of musicals now? Mark ShentonMonday January 4Include in homepage slide?, Thought of the dayLeave a Comment … Read More
January 3: How Cirencester’s Barn and London’s Old Vic kept going through the pandemic, while the Young Vic furloughed itself Mark ShentonSunday January 3Include in homepage slide?, Thought of the dayLeave a Comment … Read More
January 2: a New Year’s resolution, the botched return of theatre between lockdowns and what’s happening in Australia Mark ShentonSaturday January 2Include in homepage slide?, Thought of the dayLeave a Comment … Read More
Theatrical disunity rears its head Mark ShentonMonday December 21Include in homepage slide?, Thought of the dayLeave a Comment … Read More
Stepping aside as President of the Critics’ Circle Mark ShentonFriday December 18Features, Include in homepage slide?, Thought of the dayLeave a Comment … Read More
Going Full Addict: Adding Six More Shows to My Tally Last Week Between Friday and Sunday Mark ShentonMonday December 14First night London, Include in homepage slide?, Reviews, UncategorisedLeave a Comment … Read More
London reviews: between lockdown 2 and possible tier 3 restrictions Mark ShentonFriday December 11First night London, Include in homepage slide?, UncategorisedLeave a Comment … Read More
