How reviews for Joshua Harmon’s Admissions are strikingly different to its press reception in New York.
The triple opening night (and how I managed to get to all three of them)
How three shows all opened on Tuesday March 12 — but I managed to review all three of them.
Celebrating women in theatre on International Women’s Day
The representation of women in stories told on stage , and/or by women, which I’ve watched WITH women, are a great way to celebrate International Women’s Day.
Tartuffe in duplicate… and a critical to-and-fro
What happens when a critic not only writes his own version of a Moliere classic — but then reviews a rival version.
A new beginning and a Twitterversary
I step away from my close association with The Stage — and I celebrate my 10th anniversary on Twitter
The ever-present dangers of social media
As another artistic director falls prey to the Twitter mob, I review my own relationship with the medium.
